KQED article: BART Gallery Pt. 2: Take a Journey Beyond Downtown

Random Parts was reviewed by KQED's Sarah Hotchkiss in the article: 

BART Gallery Pt. 2: Take a Journey Beyond Downtown.


While Random Parts stretches the BART-able conditions of this list a bit (prepare for a 20 minute walk from the Lake Merritt stop), it’s well worth the journey to this small artist-run space. One year into their programming, they’ve hosted an artist-in-residence from Spain, facilitated a neighborhood mural, exhibited photographs of ad hoc local planters and showed drawings by Bay Area conceptual artist Lowell Darling, to name a few. Their mission, to intermingle international, local, well-known, self-taught and underexposed artists, is true to their name. Except in this case, the “random” parts are always, unexpectedly, the parts you didn’t know you were looking for. Their 2015 season starts off February with paintings by Colleen Flaherty.
Article courtesy of Sarah Hotchkiss

Javier Arce review in East Bay Express

Doblar la Tierra 


Through Nov. 2, 3-7 p.m. 
Free 
RandomParts.org

There is currently a carved, wooden block inserted into the sidewalk in front of Random Parts (1206 13th Ave.), an experimental-leaning art gallery in Oakland's Eastlake district. If you press a piece of paper over the wood and rub it with graphite, a rough print of an old Ohlone village will appear. The piece is a reminder of what the Bay Area once looked like, before it was colonized and developed. The block is one portion of Doblar La Tierra, a show by Spanish artist Javier Arce. Arce is interested in the ambiguous distinction between space and place, and how notions of home and identity fit in between the two. Arce, who currently lives in Santander, Spain, recently returned to an old cabin in which he once lived, in the Cantabrian Mountains of northern Spain. When he arrived, he found that the frame had loosened and pieces of wood had fallen off. He took a few of these pieces and brought them to Oakland with him for his residency. Now they are arranged on the floor of Random Parts, offering a foundation on which the viewer may build his or her own contemplation of the topic. The show has many layers, including a zine with text by Monica Carballas, which offers an insightful and poetic rumination on the work. Finding the meaning behind the works might not be easy, but the process of searching for it is the real fruit of the experience.

— Sarah Burke


Article courtesy of Sarah Burke, East Bay Express

JAVIER ARCE, DOBLAR LA TIERRA

 

DOBLAR LA TIERRA

OCTOBER 4 - NOVEMBER 2, 2014

Random Parts is honored to present the works of Javier Arce – a visiting artist based in Santander, Spain.  His artist residency began on September 15, and concluded with an opening on October 4, 2014.  

Accompanying text by Mónica Carballas.

Notes about the forest passage

A life build your own house and your own future
Some say perspective exists to distinguish between sight and
Vision as if losses in landscape lent
Transcendental distance to what was to be
Inhabited between substance & spirit
                    
                                   Kevin Power*
Wealth is living with the power to create solidarity and a communal spirit

                                             Franco (Bifo) Berardy

Paint Plethora at Studio Grand April 3- May 24

PAINT PLETHORA is the first of a series of collaborative projects between Studio Grand and Random Parts.

April 3- May 24, 2014

A reception for the artists will be on Thursday April 3, 2014 6-9pm. 

“Visual intimacy is among the most honest, primal relationships we have

with our perceptual world. Intuition predates the analytic mind. And it is

at threat in a culture that values logic over emotion. It is at threat in

an art world that values conceptualization over visual intimacy.”

Jason Stopa


PAINT  PLETHORA  is a group show consisting of artists that use paint  with an intuitive approach. Be it abstractions, semi-figurative, narrative paintings, photography, or video, the artists of PAINT PLETHORA  are interested in creating a "visual intimacy." The brilliant artistic misfits in this show are foremost painters.  Coming from different backgrounds,they weave their plethora of influences with the poetic, reflective and at times ironically humorous. By emphasizing the visceral, they do not shy away from the essence of what painting is. These artists let their expansiveness  of paint do the speaking for them. Exhibiting in  PAINT PLETHORA  are Anthony Harazin, Bernardo Palau, Carlo Ricafort, ColleenFlaherty, Dominic Alleluia, Juan Carlos Quintana, and Nelson E. Enriquez.


ABOUT THE ARTISTS:

Anthony "Weerdo" Harazin: Harazin's gritty paintings are influence by what he experiences on the streets of his East Oakland neighborhood. He sees beauty in all aspects of life, including the "dirtier" sides of things. Originally from Chicago, his intuitive paintings can reference painting in its heyday of the 80's or the emotive rawness of the Chicago Imagist. Harazin approaches his paintings with honest abandonment and welcomes the unpredictable outcome as if his art is taking a wild ride down International Blvd.

Bernardo "El Bernie" Palau: Mexican born Palau's paintings are aesthetically pleasing but Palau uses this in order to "trick" the viewer into seeing his world view where things are not as perfect as they seem. Meticulously made with old master precision, Palau's work  has a sadness and nostalgic aura that speaks truthfully of the dichotomy of life and death. For this exhibit, Palau will be exhibiting his recently found photographs manipulated so that only a fragmented glimpse of what once was thus questioning reality, time, and space.

Carlo "Carlito's Guey" Ricafort:  Manila, Philippines born Ricafort's cryptic paintings are a master of disguise. At first glance they are abstract but upon further viewing what seems like a head appears or a chow mein chicken wing comes out of left field and knocks the viewer off kilter. Ricafort approaches his paintings or "funky abstractions" as if he is a jazz man ready to rip an improvised riff. Infused with cultural wit and a keen sensibility of cultural paradoxes, Ricafort's works are free associative visual commentaries on our complex times.


Colleen "cooldrops" Flaherty: Cleveland born, California raised Flaherty's abstract paintings are fierce. There is no pussy-footing or trendy tricks involved.  Painting from a subconscious level, her intuitive mark makings are transcendental. Her highly formal explorations of materials use lines, webs, dots and other forms that challenge conventional modes of perception. She creates a mnemonic mental cartography where a visual intimacy speaks of another realm but yet are also grounded in the real.

Dominic "Dom" Alleluia:  New York city born and San Francisco based  since 1958, Alleluia is a painter and interdisciplinary artist. Alleluia describes his art practise as  a "commitment to total epic art making".  He oscillates between mediums including painting, sculpture, installation, performance,  and video creating a body of work that challenges "good taste"aesthetics and  begs the question, "Is this art?"  Working with mostly found materials and  in different styles for over 5 decades, Alleluia's works are charged with a vibrant energy and  a has a pulse on the issues that matter most  in world  that is becoming more and more disjointed and fragmented.

Juan Carlos "1ka" Quintana:  Born on a sugar-cane refinery in Southeast Louisiana of Cuban lineage, Quintana's works references a pre-post-anti-pro revolutionary gumbo/ajiaco potpourri of image making that navigates between narratives and abstractions.  Whimsical in style, Quintana embraces ambiguity and contradictions.  His oeuvre is infused with irony and satire that often speaks of current events, idealogical conundrums, and lost idealism.

Nelson E. "Nelsua" Enriquez: La Habana, Cuba born Enriquez is a multidisciplinary artist primarily focusing on painting, photography and video; often combining all 3 in a single art piece.   Enriquez  imbues his work with an awareness of  issues that pertain to both social and biographical.  Through his art,  Enriquez explores themes of immigration, travel,  mental and physical borders, consumerism and material scarcity. For this exhibit  he is showing his video, "Engravitar".  The piece is about a house which was abandoned by a family who left Cuba for the United States in the early 60 's after the Cuban Revolution. The house remains abandoned till this day.